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Clint Walker was born Norman Eugene Walker in Hartford, southwestern Illinois, to Gladys Huldah (Schwanda), a Czech immigrant, and Paul Arnold Walker, who was from Arkansas. Walker almost single-handedly started the western craze on TV in the 1950s as Cheyenne Bodie in Cheyenne (1955). Growing up in the Depression era meant taking work wherever you could get it, and Walker found himself working at such jobs as Mississippi River boatman, carnival roustabout and golf caddy. He quit high school at 16 and at age 17 joined the Merchant Marine. After the war he worked his way cross country, including working in the oil fields in Brownwood, Texas, and wound up in California, where he worked as an undercover agent for a private detective agency on the Long Beach waterfront. After a while he took a job as a security officer at the Sands Hotel in Las Vegas. It was there that he met quite a few Hollywood people who told him that his size, physique and good looks would serve him well in Hollywood and that he should go to Los Angeles and give it a try. He met actor Henry Wilcoxon, who introduced him to director Cecil B. DeMille, and Walker found himself playing the part of a Captain of the Guard in The Ten Commandments (1956). Someone from Warner Bros. saw the film, found out that Walker was under contract to producer Hal B. Wallis, bought up Walker's contract and gave him the lead in "Cheyenne". The series was a huge hit and spawned countless other western series, from Warners and other studios. However, Walker was dissatisfied with the way Warners was handling his career -- they would let other contract players make films, for example, but he wasn't allowed to -- and that triggered a dispute which ended up with him taking a walk from the show. He and Warners eventually settled their disagreements. When the show ended Walker began to get supporting parts in features, his biggest and most successful one being The Dirty Dozen (1967). He starred in the well-received The Night of the Grizzly (1966) and the not-so-well received None But the Brave (1965), a WWII film that was Frank Sinatra's one and only stab at directing. He also played the lead in Baker's Hawk (1976), and turned in a good performance as a villain in the TV movie Scream of the Wolf (1974). Lately he and several of his colleagues from "The Dirty Dozen" provided the voices for the animated film Small Soldiers (1998).- Actor
- Writer
- Additional Crew
Robert Archibald Shaw was born on August 9, 1927, in Westhoughton, Lancashire, England, the eldest son of Doreen Nora (Avery), a nurse, and Thomas Archibald Shaw, a doctor. His paternal grandfather was Scottish, from Argyll. Shaw's mother, who was born in Piggs Peak, Swaziland, met his father while she was a nurse at a hospital in Truro, Cornwall. His father was an alcoholic and a manic depressive; he committed suicide when Robert was only 12. He had three sisters--Elisabeth, Joanna and Wendy--and one brother, Alexander.
As a boy, he attended school in Truro and was quite an athlete, competing in rugby, squash and track events but turned down an offer for a scholarship at 17 to go to London, with further education in Cambridge, as he did not want a career in medicine but, luckily for the rest of us, in acting. He was also inspired by one of the schoolmasters, Cyril Wilkes, who got him to read just about everything, including all of the classics. Wilkes would take three or four of the boys to London to see plays. The first play Robert would ever see was "Hamlet" in 1944 with Sir John Gielgud at the Haymarket. Robert went to the Royal Academy of Dramatic Arts with a £1,000 inheritance from his grandmother. He went on from the Academy, after two years (1946-1948) to Stratford-on-Avon, where he was directed by Gielgud, who said to Shaw, "I do admire you and think you've got a lot of ability, and I'd like to help you, but you make me so nervous." He then went on to make his professional stage debut in 1949 and tour Australia in the same year with the Old Vic.
He had joined the Old Vic at the invitation of Tyrone Guthrie, who had directed him as the Duke of Suffolk in "Henry VIII" at Stratford. He played nothing but lesser Shakespearean roles, Cassio in "Othello" and Lysander in "A Midsummer Night's Dream" and toured Europe and South Africa with the company. Shaw was sold on Shakespeare and thought that it would be his theatrical life at that stage. He was discovered while performing in "Much Ado About Nothing" in 1950 at Stratford by Sir Alec Guinness, who suggested he come to London to do Hamlet with him. He then went on to his first film role, a very small part in the classic The Lavender Hill Mob (1951) with Guinness but a start nonetheless. It was also at this time that he married his first wife, Jennifer Bourne, an actress he had met while working at the Old Vic, and married her in Sallsbury, South Rhodesia, on August 1, 1952. Together they would have four daughters: Deborah, Penny, Rachel and Katherine.
He would also appear briefly in The Dam Busters (1955) and did the London production of "Tiger at the Gates" in June 1955 as Topman. He would also make "Hill in Korea" around that time and then, after taking on several jobs as a struggling actor and to support his growing family, he would be cast as Dan Tempest in The Buccaneers (1956). Shaw did not take his role seriously but made £10,000 for eight months' work. It was around that time that he wrote his first novel, "The Hiding Place." It was a success, selling 12,000 copies in England and about the same in France and in the United States. He also wrote a dramatization of it that was produced on commercial television in England, and Playhouse 90 (1956) aired a different dramatization in America. Around 1959, he became involved with well-known actress Mary Ure, who was married to actor John Osborne at the time. He slipped her his telephone number one night at 3 a.m. while visiting the couple, and she called him the next day. It was around then, in 1960, that Robert Shaw became a reporter for England's Queen magazine and covered the Olympics in Rome. Shaw and Ure acted together in Middleton's The Changeling at the Royal Court Theatre in London in 1961. He was playing the part of an ugly servant in love with the mistress of the house, who persuades him to murder her fiance. Shaw and Ure had a child on August 31 even though they were still married to their other spouses. His wife, Jennifer, and Ure had children of his only weeks apart from each other. Ure divorced Osborne and married Shaw in April 1963. The couple was often quoted by the press as being "very much in love," and they would have four children together: Colin, Elizabeth, Hannah and Ian. That same year, after making the next two films, The Valiant (1962) and The Guest (1963), he made From Russia with Love (1963) and was unforgettable as blond assassin, Donald 'Red' Grant.
He also made Tomorrow at Ten (1963), as well as a TV version of Hamlet as Claudius. He would then film The Luck of Ginger Coffey (1964) with Ure and then star in Battle of the Bulge (1965) as German Panzer commander Hessler. He wrote "The Flag" on the set of the film. He was nominated for his next role, as Henry VIII in A Man for All Seasons (1966), an outstanding, unequal lead performance. He would write his fourth novel "The Man in the Glass Booth," which was later made into a play with Donald Pleasence and later into a film with Maximilian Schell. In 1967, he again starred with his wife in Custer of the West (1967) and went on to The Birthday Party (1969) and Battle of Britain (1969). One of his best performances of this decade was also as Spanish conqueror Pizarro in The Royal Hunt of the Sun (1969). His last published novel, "A Card from Morocco," was also a big success and he went on to make Figures in a Landscape (1970) with Malcolm McDowell as two escaped convicts in a Latin American country. As the father of Churchill in Young Winston (1972), he was once again his brilliant self, stealing the scene from John Mills, Patrick Magee, Anthony Hopkins and Ian Holm. After his portrayal of Lord Randolph Churchill, he made A Reflection of Fear (1972), a horror movie with Ure, Sondra Locke and Sally Kellerman. As chauffeur Steven Ledbetter in The Hireling (1973), he falls in love with Sarah Miles, an aristocratic widow he helps recover from a nervous breakdown. The film took the prestigious Palme d'Or at the Cannes Film Festival and was quite a thought-provoking film.
It was his performances in the following two films--USA-produced The Sting (1973) and The Taking of Pelham One Two Three (1974)--that Shaw became familiar once again to American audiences, but it was his portrayal as a grizzled Irish shark hunter named Quint, in Jaws (1975), that everyone remembers--even to this day. Hard to believe that Shaw wasn't that impressed with the script and even confided to a friend, Hector Elizondo: "They want me to do a movie about this big fish. I don't know if I should do it or not." When Elizondo asked why Shaw had reservations, Shaw said he'd never heard of the director and didn't like the title, "JAWS." It's also incredible that as the biggest box office film at the time, which was the first to gross more than $100 million worldwide and that he had ever been part of, he didn't make a cent from it because of the taxes he had to pay from working in the United States, Canada and Ireland. It was also during that time that he became a depressed recluse following the death of his wife, who had taken an accidental overdose of barbiturates and alcohol. Some have speculated throughout the years that her death was suicidal, but there was no evidence of that, and so it is mere sensationalism. Following Diamonds (1975), he made End of the Game (1975) and then delivered another brilliant performance as the Sheriff of Nottingham in Robin and Marian (1976). During the same year, he also made Swashbuckler (1976) with Geneviève Bujold and James Earl Jones, a very lighthearted pirate adventure.
His next film, Black Sunday (1977), with Shaw playing an Israeli counterterrorist agent trying to stop a terrorist organization called Black September, which is plotting an attack at the Super Bowl, was a big success both with critics and at the box office. I wasn't surprised, considering the depth to which he was also involved in writing the script, although he didn't receive billing for it. Shaw was very happy with the success of his acting career but remained a depressed recluse in his personal life until he finished Black Sunday (1977), when he found himself in love with his secretary of 15 years, Virginia Dewitt Jansen (Jay). They were wed on July 29, 1976, in Hamilton, Bermuda. He adopted her son, Charles, and the couple also had one son, Thomas. During his stay in Bermuda, Shaw began work on his next movie, The Deep (1977), which teamed him and writer Peter Benchley once again, which may have been a mistake in that everyone expected another Jaws (1975). At one point, discussing how bad the film was going, Shaw could be quoted as saying to Nick Nolte, "It's a treasure picture Nick; it's a treasure picture." It did well at the box office but not with critics, although they did hail Shaw as the saving grace. He had done it for the money, as he was to do with his next film, for he had decided when Ure died that life was short and he needed to provide for his 10 children.
In 1977, Shaw traveled to Yugoslavia, where he starred in Force 10 from Navarone (1978), a sequel to The Guns of Navarone (1961). He revived the lead role of British MI6 agent Mallory, originally played by Gregory Peck. He was a big box office draw, and some producers were willing to pay top wages for his work, but he felt restricted by the parts he was being offered. "I have it in mind to stop making these big-budget extravaganzas, to change my pattern of life. I wanted to prove, I think, that I could be an international movie star. Now that I've done it, I see the valuelessness of it." In early 1978, Shaw appeared in Avalanche Express (1979) which was to be his last film; in which he played General Marenkov, a senior Russian official who decides to defect to the West and reveals to a CIA agent, played by Lee Marvin, that the Russians are trying to develop biological weapons. An alcoholic most of his life, Shaw died--before the film was completed--of a heart attack at the age of 51 on August 28, 1978. In poor health due to alcoholism during most of the filming, he in fact completed over 90% of his scenes before the death of director Mark Robson two months earlier, in June 1978, brought production to a halt.
While living in Ireland and taking a hiatus from work, Shaw was driving from Castlebar to his home in Tourmakeady, Ireland, with wife, Virginia, and young son, Thomas, after spending the day playing golf with friends on a local course as well as shopping with Virginia in the town. As they approached their cottage, he felt chest pains which he claimed to Virginia had started earlier that day while he was playing golf but whose pains subsided. He pulled the car over a few hundred yards from his cottage and told her he would get out and walk the pains off. After taking four or five steps from the parked car, he collapsed by the side of the road, and his wife ran to the cottage to phone for help. An ambulance arrived 15 minutes later, and Shaw was taken to Mayo General Hospital in Castlebar, where he was pronounced dead on arrival.- Actor
- Producer
- Director
Peter Michael Falk was born on September 16, 1927, in New York City, New York. At the age of 3, his right eye was surgically removed due to cancer. He graduated from Ossining High School, where he was president of his class. His early career choices involved becoming a certified public accountant, and he worked as an efficiency expert for the Budget Bureau of the state of Connecticut before becoming an actor. On choosing to change careers, he studied the acting art with Eva Le Gallienne and Sanford Meisner. His most famous role is that of the detective Columbo (1971); however, this was not his first foray into acting the role of a detective. During a high school play, he stood in for such a role when the original student actor fell sick. He has been married twice, and is the father of two children:Catherine, a private detective in real life, and Jackie. He was diagnosed with dementia in 2008, which was most likely brought on by Alzheimer's disease, from which he died on June 23, 2011.- Actor
- Writer
- Soundtrack
McLean Stevenson began in show business at age 31. During the 1960s, he worked in night clubs and comedy cabarets, did summer stock theater and some television before moving to Hollywood, where he worked as a comedy writer for Tom Smothers. He eventually began acting in sketches. Mr. Stevenson is best known as the fumbling commanding officer, Lt. Colonel Henry Blake, on the CBS television series, M*A*S*H (1972). Over a period of thirty years, he also appeared on a number of television series and was a regular guest star on Johnny Carson's The Tonight Show Starring Johnny Carson (1962) and the game show, The Hollywood Squares (Daytime) (1965).- Actor
- Additional Crew
- Producer
Roger Moore will perhaps always be remembered as the man who replaced Sean Connery in the James Bond series, arguably something he never lived down.
Roger George Moore was born on October 14, 1927 in Stockwell, London, England, the son of Lillian (Pope) and George Alfred Moore, a policeman. His mother was born in Calcutta, India, to a British family. Roger first wanted to be an artist, but got into films full time after becoming an extra in the late 1940s. He came to the United States in 1953. Suave, extremely handsome, and an excellent actor, he received a contract with Metro-Goldwyn-Mayer. His initial foray met with mixed success, with movies like Diane (1956) and Interrupted Melody (1955), as well as The Last Time I Saw Paris (1954).
Moore went into television in the 1950s on series such as Ivanhoe (1958) and The Alaskans (1959), but probably received the most recognition from Maverick (1957), as cousin Beau. He received his big breakthrough, at least internationally, as The Saint (1962). The series made him a superstar and he became very successful thereafter. Moore ended his run as the Saint, and was one of the premier stars of the world, but he was not catching on in America. In an attempt to change this, he agreed to star with Tony Curtis on ITC's The Persuaders! (1971), but although hugely popular in Europe, it did not catch on in the United States and was canceled. Just prior to making the series, he starred in The Man Who Haunted Himself (1970), which proved there was far more to Moore than the light-hearted roles he had previously accepted.
He was next offered and accepted the role of James Bond, and once audiences got used to the change of style from Connery's portrayal, they also accepted him. Live and Let Die (1973), his first Bond movie, grossed more outside of America than Diamonds Are Forever (1971); Connery's last outing as James Bond. He went on to star in another six Bond films, before bowing out after A View to a Kill (1985). He was age 57 at the time the film was made and was looking a little too old for Bond - it was possibly one film too many. In between times, there had been more success with appearances in films such as That Lucky Touch (1975), Shout at the Devil (1976), The Wild Geese (1978), Escape to Athena (1979) and North Sea Hijack (1980).
Despite his fame from the Bond films and many others, the United States never completely took to him until he starred in The Cannonball Run (1981) alongside Burt Reynolds, a success there. After relinquishing his role as Bond, his work load tended to diminish a little, though he did star in the American box office flop Feuer, Eis & Dynamit (1990), as well as the comedy Bullseye! (1990), with Michael Caine. He did the overlooked comedy Bed & Breakfast (1991), as well as the television movie The Man Who Wouldn't Die (1994), and then the major Jean-Claude Van Damme flop The Quest (1996). Moore then took second rate roles such as Spice World (1997), and the American television series The Dream Team (1999). Although his film work slowed down, he was still in the public eye, be it appearing on television chat shows or hosting documentaries.
Roger Moore was appointed Commander of the Order of the British Empire on December 31, 1998 in the New Years Honours for services to UNICEF, and was promoted to Knight Commander of the same order on June 14, 2003 in the Queen's Birthday Honours for services to the charities UNICEF and Kiwanis International.
Roger Moore died of cancer on 23 May, 2017, in Switzerland. He was 89.- Actress
- Producer
- Additional Crew
Janet Leigh was the only child of a couple who often moved from town to town. Living in apartments, Janet was a bright child who skipped several grades and finished high school when she was 15. A lonely child, she would spend much of her time at movie theaters. She was a student, studying music and psychology, at the University of the Pacific until she was "discovered" while visiting her parents in Northern California. Her father was working the desk at a ski resort where her mother worked as a maid. Retired MGM actress Norma Shearer saw a picture of Janet on the front desk and asked if she could borrow it. This led to a screen test at MGM and a starring role in The Romance of Rosy Ridge (1947). MGM was looking for a young naive country girl and Janet filled the bill perfectly. She would play the young ingénue in a number of films and work with such stars as Errol Flynn, Gary Cooper, James Stewart, Orson Welles and Judy Garland. She appeared in a number of successful films, including Little Women (1949), Angels in the Outfield (1951), Scaramouche (1952), Houdini (1953) and The Black Shield of Falworth (1954), among others. Janet would appear in a variety of films, from comedies to westerns to musicals to dramas. Of her more than 50 movies, she would be remembered for the 45 minutes that she was on the screen in the small-budget thriller Psycho (1960). Directed by Alfred Hitchcock, this 1960 classic would include the shower scene that would become a film landmark. Even though her character is killed off early in the picture, she would be nominated for an Academy Award and receive a Golden Globe. Her next film would be The Manchurian Candidate (1962), in which she starred with Frank Sinatra. For the rest of the decade, her appearances in films would be rare, but she worked with Paul Newman in Harper (1966). In the 1970s she appeared on the small screen in a number of made-for-TV movies. In 1980, she appeared alongside her daughter Jamie Lee Curtis in The Fog (1980), and later, in Halloween H20: 20 Years Later (1998). Janet Leigh died at age 77 in her home in Beverly Hills, California on October 3, 2004.- Actor
- Director
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George C. Scott was an immensely talented actor, a star of the big screen, stage and television. He was born on October 18, 1927 in Wise, Virginia, to Helena Agnes (Slemp) and George Dewey Scott. At the age of eight, his mother died, and his father, an executive at Buick, raised him. In 1945, he joined the United States Marines and spent four years with them, no doubt an inspiration for portraying General George S. Patton years later. When Scott left the Marines, he enrolled in journalism classes at the University of Missouri, but it was while performing in a play there that the acting bug bit him. He has said it "clicked, just like tumblers in a safe."
It was in 1957 that he landed a role in "Richard III" in New York City. The play was a success and brought the young actor to the attention of critics. He soon began to get work on television, mostly in live broadcasts of plays, and he landed the role of the crafty prosecutor in Anatomy of a Murder (1959). It was this role that got him his first Oscar nomination, for Best Supporting Actor.
However, George and Oscar wouldn't actually become the best of friends. In fact, he felt the whole process forced actors to become stars and that the ceremony was little more than a "meat market." In 1962, he was nominated again for Best Supporting Actor, this time opposite Paul Newman in The Hustler (1961), but sent a message saying "No, thanks" and refused the nomination.
However, whether he was being temperamental or simply stubborn in his opinion of awards, it did not seem to stop him from being nominated in the future. "Anatomy" and "The Hustler" were followed by the clever mystery The List of Adrian Messenger (1963), in which he starred alongside Kirk Douglas, Robert Mitchum and cameos by major stars of the time, including Burt Lancaster and Frank Sinatra. It's a must-see, directed by John Huston with tongue deeply in cheek.
The following year, Scott starred as General "Buck" Turgidson in Stanley Kubrick's comical anti-war film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). This became one of his favorites and he often said that he felt guilty getting paid for it, as he had so much fun making it. Another comedy followed, The Flim-Flam Man (1967), with Scott playing a smooth-talking con artist who takes on an apprentice whom he soon discovers has too many morals.
Three years followed, with some smaller television movies, before he got the role for which he will always be identified: the aforementioned General Patton in Patton (1970). This was a war movie that came at the end of a decade where anti-war protests had rocked a nation and become a symbol of youth dissatisfied with what was expected of them. Still, the actor's portrayal of this aggressive military icon actually drew sympathy for the controversial hero. He won the Oscar this time, but stayed at home watching hockey instead.
A pair of films that he made in the early 1980s were outstanding. The first of these was The Changeling (1980), a film often packaged as a horror movie but one that's really more of a supernatural thriller. He plays John Russell, a composer and music professor who loses his wife and daughter in a tragic accident. Seeking solace, he moves into an archaic mansion that had been unoccupied for 12 years. However, a child-like presence seems to be sharing the house with him and trying to share its secrets with him. From learning of the house's past, he discovers its horrific secret of long ago, a secret that the presence will no longer allow to be kept.
Then he starred -- along with a young cast of then largely unknowns, including Timothy Hutton, Sean Penn and Tom Cruise -- in the intense drama Taps (1981). He played the head of a military academy that's suddenly slated for destruction when the property is sold to local developers who plan to build condos. The students take over the academy when they feel that the regular channels are closed to them.
Scott kept up in films, television and on stage in the later years of his life (Broadway dimmed its lights for one minute on the night of his death). Among his projects were playing Ebenezer Scrooge in a worthy television update of A Christmas Carol (1984), an acclaimed performance on Broadway of "Death of a Salesman", the voice of McLeach in Disney's The Rescuers Down Under (1990) and co-starring roles in television remakes of two classic films, 12 Angry Men (1997) and Inherit the Wind (1999), to name just a few. After his death the accolades poured in, with Jack Lemmon saying, "George was truly one of the greatest and most generous actors I have ever known," while Tony Randall called him "the greatest actor in American history".- Music Artist
- Actress
- Soundtrack
An out-of-wedlock child, Eartha Kitt was born in the cotton fields of South Carolina. Kitt's mother was a sharecropper of African-American and Cherokee Native American descent. Her father's identity is unknown. Given away by her mother, she arrived in Harlem at age nine. At 15, she quit high school to work in a Brooklyn factory. As a teenager, Kitt lived in friends' homes and in the subways. However, by the 1950s, she had sung and danced her way out of poverty and into the spotlight: performing with the Katherine Dunham Dance Troupe on a European tour, soloing at a Paris nightclub and becoming the toast of the Continent. Orson Welles called her "the most exciting girl in the world". She also spoke out on hard issues. She took over the role of Catwoman for the third and final season of the television series Batman (1966), replacing Julie Newmar. Eartha Kitt died of colon cancer in her home in Weston, Connecticut, on Christmas Day 2008.- Actor
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As the short, straight-man counterpart of the stellar husband-and-wife comedy team "Stiller & Meara", Jerry Stiller and wife Anne Meara were on top of the comedy game in the 1960s, a steady and hilarious presence on television variety, notably The Ed Sullivan Show (1948), on which they appeared 36 times. Decades later, Jerry's career was revitalized in the role of the raucous, gasket-blowing Frank Costanza on the sitcom classic Seinfeld (1989).
Jerry Stiller was born Gerald Isaac Stiller in the Unity Hospital in Brooklyn, New York, to Bella (Citron) and William Stiller, a bus driver. His paternal grandparents were Jewish emigrants from Galicia, and his mother was a Polish Jewish emigrant, from Frampol. In the beginning, Stiller was a drama major at the Syracuse University. Though he had played rather uneducated, blue-collar sorts for most of his career, he received his Bachelor of Science in Speech and Drama before making his acting debut on stage with Burgess Meredith in "The Silver Whistle" in 1951. While a member of the improvisational team The Compass Players (the company later evolved into the well-known Second City troupe), he met Anne.
They married in 1954 and began touring together on the national club circuit while giving new and inventive meaning to the term spousal comedy. This led to television prominence on "The Ed Sullivan Show", "The Tonight Show", "The Steve Allen Comedy Hour", "The Merv Griffin Show", as well as game shows "He Said, She Said", "You're Putting Me On" and "What's My Line?" as well as other talk/comedy venues.
After well over a decade of fame together, they decided to pursue individual successes and both found it. A Broadway favorite in such shows as "Hurlyburly", "The Ritz" (he later recreated his hilarious mobster family member role in the film The Ritz (1976)), "The Golden Apple", "Three Men on a Horse", "What's Wrong with This Picture" and "The Three Sisters", Stiller even appeared with Kevin Kline and Blythe Danner as Dogberry in William Shakespeare's "Much Ado About Nothing" in 1988. Musicals were not out of his range, either, as he created the role of Launce in "Two Gentlemen of Verona" and co-starred as Nathan Detroit in a production of "Guys and Dolls". Although he kept afloat on television as a 1970s regular on The Paul Lynde Show (1972) and Joe and Sons (1975), he had some rocky years and Anne's pilot fizzled when they reunited for a possible "Stiller & Meara" sitcom.
Then came eight seasons as hypertensive Frank Costanza and his character star was reborn. Nominated for a 1997 Emmy Award and the recipient of the 1998 American Comedy Award, Stiller found back-to-back sitcom hits with The King of Queens (1998) as the irascible Arthur Spooner. He also appeared in a number of his successful son Ben Stiller's comedy pictures including Heavyweights (1995), Zoolander (2001), The Heartbreak Kid (2007) and Zoolander 2 (2016)
Into the millennium, Jerry has appeared in a number of independent films, including a starring role as a low-level director seeking a comeback in the comedy The Independent (2000); had a cameo in the off-color Rodney Dangerfield slapstick farce My 5 Wives (2000); played the slick Mr. Pinky in the film version of the Broadway musical hit Hairspray (2007); and featured roles in the romantic comedies Swinging with the Finkels (2011) and Excuse Me for Living (2012).
Daughter Amy Stiller is also a thriving actress. He and Anne wrote, performed and produced award-winning radio commercials together for such products as Blue Nun Wine, United Van Lines and Amalgamated Bank, among others. His autobiography "Married to Laughter" came out in 2000. Stiller's wife Anne passed away on May 23, 2015, and he passed away nearly five years later, on May 11, 2020, at age 92.- Actor
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William Daniels is an American actor, born in Brooklyn, New York City. He was born in 1927, to bricklayer David Daniels and his wife Irene.
Daniels was a member of the singing Daniels family in Brooklyn. He made his television debut in 1943 at the age of 16, as part of a variety act. That same year, Daniels made his Broadway debut in the comedy play "Life With Father" (1939) by Howard Lindsay and Russel Crouse. Until the 1960s, Daniels was primarily a theatrical actor, with a few guest star roles in television. For his role in the play "The Zoo Story" (1958) by Edward Albee, Daniels received an Obie Award.
Daniels made his film debut in 1963, at the age of 36. He debuted in the Cold War-themed thriller "Ladybug Ladybug" (1963), where he played school principal Mr. Calkins. His next film role was the comedy-drama film "A Thousand Clowns" (1965), where he played child welfare worker Albert Amundson. Daniels had a supporting role in "The Graduate" (1967), playing the father of protagonist Benjamin Braddock (played by Dustin Hoffman).
Daniels found his first major television role in the superhero comedy "Captain Nice" (1967). He played police chemist Carter Nash, who could transform into the superhero Captain Nice by drinking a super serum. In both identities, Nash was a mild-mannered mama's boy, who was pressured into a crime-fighting career by his mother (played by Alice Ghostley). He was clumsy as a hero, and had a crippling fear of heights. The series lasted only 15 episodes
In the 1970s, Daniel's most prominent role was that of John Adams in the film adaptation of "1776" (1972). He also played John Quincy Adams in the historical television series "The Adams Chronicles" (1976). He had a regular role in the sitcom "The Nancy Walker Show" (1976) as Lt. Commander Kenneth Kitteridge of the United States Navy. Kenneth was the loving husband of protagonist Nancy Kitteridge (played by Nancy Walker). The series lasted for 13 episodes.
In the crime drama series "Knight Rider" (1982-1986), Daniels voiced KITT, an artificially intelligent electronic computer module in the body of a robotic automobile. The series lasted for 90 episodes. The series was very popular in its time, and has had a large number of sequels and spin-offs.
Daniels also played surgeon Dr. Mark Craig in the medical drama "St. Elsewhere" (1982-1988). The setting was St. Eligius Hospital, a decaying urban teaching hospital in Boston. The series lasted for 137 episodes and garnered 62 Primetime Emmy Award nominations.
Daniels played KITT again in the television film "Knight Rider 2000" (1991). He had a prominent role in the sitcom "Boy Meets World" (1993-2000) as teacher George Feeny, a strict but loving mentor to protagonist Cory Matthews (played by Ben Savage). The series lasted for 158 episodes, and Feeny was one of Daniel's most recognizable roles.
Daniels guest starred as KITT in two episodes of the animated sitcom "The Simpsons" (1989-). The episodes were "The Wizard of Evergreen Terrace" (1998) and "Milhouse Doesn't Live Here Anymore". Daniels also voiced a Hospital Ship in the episode "Critical Care" (2000) of the science fiction series "Star Trek: Voyager" (1995-2001).
In the 2000s, Daniels provided voice roles for animated television series, such as "Kim Possible" and "The Grim Adventures of Billy & Mandy". His most prominent role in the 2010s was that of George Feeny again, who appeared in 5 episodes of the sitcom series "Girl Meets World" (2014-2017). It was a sequel series to "Boy Meets World" , featuring the life of Cory Matthews as a teacher and father.
By 2020, Daniels was 92 years old, one of the oldest living actors.- Actor
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Sidney Poitier was a native of Cat Island, Bahamas, although born, two months prematurely, in Miami during a visit by his parents, Evelyn (Outten) and Reginald James Poitier. He grew up in poverty as the son of farmers, with his father also driving a cab in Nassau. Sidney had little formal education and at the age of 15 was sent to Miami to live with his brother, in order to forestall a growing tendency toward delinquency. In the U.S., he experienced the racial chasm that divides the country, a great shock to a boy coming from a society with a majority of African descent.
At 18, he went to New York, did menial jobs and slept in a bus terminal toilet. A brief stint in the Army as a worker at a veterans' hospital was followed by more menial jobs in Harlem. An impulsive audition at the American Negro Theatre was rejected so forcefully that Poitier dedicated the next six months to overcoming his accent and improving his performing skills. On his second try, he was accepted. Spotted in rehearsal by a casting agent, he won a bit part in the Broadway production of "Lysistrata", for which he earned good reviews. By the end of 1949, he was having to choose between leading roles on stage and an offer to work for Darryl F. Zanuck in the film No Way Out (1950). His performance as a doctor treating a white bigot got him plenty of notice and led to more roles. Nevertheless, the roles were still less interesting and prominent than those white actors routinely obtained. But seven years later, after turning down several projects he considered demeaning, Poitier got a number of roles that catapulted him into a category rarely if ever achieved by an African-American man of that time, that of leading man. One of these films, The Defiant Ones (1958), earned Poitier his first Academy Award nomination as Best Actor. Five years later, he won the Oscar for Lilies of the Field (1963), the first African American to win for a leading role.
He remained active on stage and screen as well as in the burgeoning Civil Rights movement. His roles in Guess Who's Coming to Dinner (1967) and To Sir, with Love (1967) were landmarks in helping to break down some social barriers between blacks and whites. Poitier's talent, conscience, integrity, and inherent likability placed him on equal footing with the white stars of the day. He took on directing and producing chores in the 1970s, achieving success in both arenas.- Actress
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Well-endowed, attractive Joyce Jameson was typecast as "broads," "dames," and dizzy blondes -- somewhat in the vein of Barbara Nichols. In real life, she was said, like such other ditzy blondes as Judy Holliday and Jayne Mansfield, to have been the antithesis of her screen personae, a graduate in theatre arts from UCLA, highly intelligent and well-read.
Born in Chicago in 1927 (not 1932 as has been misreported) as Joyce Kingsley as per the Cook County, Illinois Birth Index, 1916-1935 (File Number 6045258), she began acting in films from 1951, after being 'spotted' at the small Cabaret Club by Steve Allen. At that time, she was already a seasoned performer on stage in musical revue, featured playing multiple parts in shows staged by her then-husband and mentor, Billy Barnes, initially at the Cabaret Club, then at the Las Palmas Theatre in Hollywood, and finally on Broadway.
After several small supporting bits on the big screen and the odd ghost-written TV script, Jameson's career gained momentum from the late 1950s. She was seen in better productions, such as Billy Wilder's The Apartment (1960). Adept at dialects and mimicry, Jameson made a name for herself on The Tonight Show Starring Jack Paar (1957) with a ventriloquist act, featuring her 'alter ego,' an imaginary dummy, unsurprisingly named "Marilyn." Jameson was said to have derived the idea of being subsumed by this 'other personality' from the British horror classic Dead of Night (1945). Reputedly still more uproarious, were her biting impersonations of Judy Garland, Grace Kelly, and, above all, Marlene Dietrich.
She may be most-fondly remembered for her first two cult Gothic horrors she made for Roger Corman, loosely based on stories by Edgar Allan Poe. Tales of Terror (1962), finds her (in story number two, 'The Black Cat') as perpetually inebriated Peter Lorre's philandering wife Annabel, who suffers the ignominious fate of being entombed alive in a wine cellar, alongside paramour Vincent Price. Her performance on the way to that demise -- at once funny and tragic -- amply demonstrated her ability to hold her own in a leading role opposite such dominant personalities as Lorre and Price. She was quite good (and certainly very decorative) in her second outing for Corman, The Comedy of Terrors (1963) albeit in a more typical role as decrepit Boris Karloff's ditzy daughter, Amaryllis Trumbull.
On television, she had a recurring spot on The Andy Griffith Show (1960) and guested in many classic series, including westerns and science fiction, though her forte was almost certainly comedy. Unable to escape her typecasting, she rarely got roles her acting talent would have justified. Jameson once commented acerbically in an interview, "Everyone expects to cast me as the dumb or victimized blonde. After they interview me, I can just hear them say, 'Hey! She's intelligent, but what do you do with it?'" (The Pittsburgh Press, July 27,1958).- Actress
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Tall, sultry, green-eyed blonde Peggie Castle was actually spotted by a talent scout while she was lunching in a Beverly Hills restaurant. In her films she was usually somebody's "woman" rather than a girlfriend, and her career was confined to mostly "B"-grade action pictures, dramas or westerns: Harem Girl (1952), Wagons West (1952), The Prince Who Was a Thief (1951), Jesse James' Women (1954), among others. She did, however, have good roles in such films as Payment on Demand (1951) with Bette Davis, 99 River Street (1953) with John Payne, I, the Jury (1953), The White Orchid (1954), Miracle in the Rain (1956) with Jane Wyman and in Seven Hills of Rome (1957) with Mario Lanza. After three seasons playing sexy femme lead Lily Merrill, the dance-hall hostess and romantic interest for steely-eyed Marshal Dan Troop in the TV western series Lawman (1958), she left show business in 1962. She later developed an alcohol problem and died of cirrhosis of the liver in 1973 at age 45.- The epitome of poise, charm, style and grace, beautiful brunette Barbara Rush was born in Denver, Colorado in 1927 and enrolled at the University of California before working with the University Players and taking acting classes at the Pasadena Playhouse. It didn't take long for talent scouts to spot her and, following a play performance, Paramount quickly signed her up in 1950, making her debut with The Goldbergs (1950).
Just prior to this, she had met fellow actor Jeffrey Hunter, a handsome newcomer who would later become a "beefcake" bobbysoxer idol over at Fox. The two fell in love and married in December 1950. Soon, they were on their way to becoming one of Hollywood's most beautiful and photogenic young couples. Their son Christopher was born in 1952.
While at Paramount, she was decorative in such assembly-line fare as When Worlds Collide (1951), Quebec (1951) and Flaming Feather (1952). She later co-starred opposite some of Hollywood's top leading males: James Mason, Montgomery Clift, Marlon Brando, Dean Martin, Paul Newman, Richard Burton and Kirk Douglas. In most cases, she played brittle wives, conniving "other women" or socialite girlfriend types.
Despite the "A" list movies Barbara was piling up, the one single role that could put her over the top never showed its face. By the early 1960s, her film career started to decline. She married publicist Warren Cowan in 1959 and bore a second child, Claudia Cowan, in 1964. TV became a viable source of income for her, appearing in scores of guest parts on the more popular shows of the time while co-starring in standard mini-movie dramas.
She even had a bit of fun playing a "guest villainess" on the Batman (1966) series as temptress "Nora Clavicle". The stage also became a strong focus for Barbara, earning the Sarah Siddons Award for her starring role in "Forty Carats". She made her Broadway debut in the one-woman showcase "A Woman of Independent Means", which also subsequently earned her the Los Angeles Drama Critics Award during its tour. Other showcases included "Private Lives", "Same Time, Next Year", "The Night of the Iguana" and "Steel Magnolias". Rush continued to occasionally appear onscreen, most recently in a recurring role on TV's 7th Heaven (1996). She died on March 31, 2024, aged 97. - Actor
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This tall, sandy-haired, mustachioed actor from Texas, born Justus McQueen, adopted the name of the character he portrayed in his first film, Battle Cry (1955). Jones, with his craggy, gaunt looks, first appeared in minor character roles in plenty of WWII films including The Young Lions (1958), The Naked and the Dead (1958), Hell Is for Heroes (1962) and Battle of the Coral Sea (1959). However, 1962 saw him team up with maverick director Sam Peckinpah for the first of Jones' five appearances in his films. Ride the High Country (1962) saw Jones play one of the lowlife Hammond brothers. Next he appeared alongside Charlton Heston in Major Dundee (1965), then Peckinpah cast him, along with his real-life friend Strother Martin, as one of the scummy, murderous bounty hunters in The Wild Bunch (1969). Such was the chemistry between Jones and Martin that Peckinpah teamed them again the following year in The Ballad of Cable Hogue (1970), and Jones' final appearance in a Peckinpah film was in another western, Pat Garrett & Billy the Kid (1973). Two years later Jones directed the cult post-apocalyptic film A Boy and His Dog (1975) starring a young Don Johnson. He has continued to work in Hollywood, and as the lines on his craggy face have deepened, he turns up more frequently as crusty old westerners, especially in multiple TV guest spots. He turned in an interesting performance as a seemingly good ol' boy Nevada cowboy who was actually a powerful behind-the-scenes player in state politics who leaned on Robert De Niro's Las Vegas mob gambler in Martin Scorsese's violent and powerful Casino (1995).- Actress
- Additional Crew
Born in Wichita Falls, Texas, Phyllis Coates moved to Hollywood as a teenager with intentions of enrolling at UCLA. A chance encounter with Ken Murray in a Hollywood & Vine restaurant landed her in the comedian's vaudeville show. She started out as a chorus girl and worked her way up to doing skits before moving on to work for veteran showman Earl Carroll and later touring with the USO. Coates got some of her first motion picture experience in comedy short subjects at Warner Brothers and then graduated to roles in early '50s films. After a one-season stint with the Man of Steel (George Reeves on Adventures of Superman (1952)), she began to divide her time among TV, B-movie assignments and serials at Republic.- Actress
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The charming, witty, and immeasurably talented Estelle Parsons was born November 20, 1927 in Lynn, Massachusetts, to Elinor and Eben Parsons. She attended the Oak Grove School for Girls in Maine, and later graduated from Connecticut College in 1949. She worked as a singer with a band before she became the first Women's Editor on Today (1952). She left the program in 1955. her claim to fame was her Oscar-winning performance as Blanche Barrow in Bonnie and Clyde (1967). The following year, she garnered an Academy Award nomination for her performance in Rachel, Rachel (1968). On television, she is best remembered as Beverly Lorraine Harris, Roseanne and Jackie's zany, manipulative and pretentious mother on Roseanne (1988). In 2003, her character was honored with a TV Land Award for Favorite Classic TV In-Law.- Actor
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Endearing, bushy-whiskered Welsh character actor whose screen repertoire seemed to consist for the better part of variations on a similar theme, namely stereotypical stiff-upper-lip or bumbling British gents. The son of an actress and an actor-manager and on stage from early childhood, Fox began his career in repertory theatre. During the last two years of World War II he served on a minesweeper in the Royal Navy. In 1952, he joined the ensemble of Brian Rix's Whitehall Farces as one of the 'Reluctant Heroes' and the 'Simple Spymen'. Buoyed by popular success, he probably developed his stock-in-trade character around this time. Following a stint on the London stage, Fox then landed several small roles in British films and co-starred for the BBC in the short-lived comedy series Three Live Wires (1961). The show's American producer promised him a shot at Hollywood and the actor and his wife promptly moved to Los Angeles. In 1962, Fox made his American stage debut at the Civic Playhouse in the three-act mystery play "Write Me a Murder" by Frederick Knott. The following year he appeared as a blundering waiter in The Danny Thomas Show (1953).
During the 1960's he became a familiar face on television, staking his particular claim to comedy relief fame as the cranky warlock physician Dr. Bombay in Bewitched (1964) (a character he declared was based on a naval officer with whom he served during the war) and as the buffoonish Colonel Rodney Crittenden in Hogan's Heroes (1965) (who was hopefully not based on anyone). He was also a Dr. Watson to Stewart Granger's Sherlock Holmes in The Hound of the Baskervilles (1972), striding a kind of middle ground between the Watson of Nigel Bruce and that of Edward Hardwicke. His many guest roles as assorted 'visiting' English officers included, among others, 12 O'Clock High (1964), The Man from U.N.C.L.E. (1964), Columbo (1971) and M*A*S*H (1972). More recently, he appeared as Archibald Gracie IV, survivor (albeit briefly) of the sinking of the Titanic (1997) and as the unflappable aviator Winston Havelock going off to his last 'tally-ho' in The Mummy (1999). His ongoing commitment to theatrical work led to engagements in Canada with Stage West, in Las Vegas, Los Angeles and starring on Broadway in a 1978 production of "3 Rue de L'Amour" with Louis Jourdan and Kathleen Freeman.
In private life, Fox was renowned as an expert theatre historian. He was reputedly a keen gardener, a painter of landscapes and a devotee of performing magic.- Actress
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This most consummate, vibrant and versatile actress established a distinguished reputation on the stage, in films and on TV. The former Miss Chicago of 1948 beauty pageant winner and Miss America semifinalist was born in Oak Park, Illinois. Her family was impoverished and her parents divorced early on. Young Lois used make-believe to escape her reality by creating small plays in her backyard, which led to an affinity with the idea of acting. Having set her sights on the stage she joined a community theatre at the tender age of eleven and appeared on local radio and television. She later continued her training at Chicago's Goodman Theatre and then studied 'the method' at the Actors' Studio in New York City, eventually making her Broadway debut in Dalton Trumbo's "The Biggest Thief in Town" (1948) using the stage moniker "Lydia Scott" (her given name, she felt, was too plain and sounded "schoolmarmy").
Lois was understudy to Barbara Bel Geddes for the role of "Maggie the Cat" in the original 1955 Broadway production of Tennessee Williams's Pulitzer-Prize winning "Cat on a Hot Tin Roof", staged by Elia Kazan. Occasionally, she got to play "Maggie", herself. Of her (own personal favourite) role as Blanche DuBois in the 1973 stage production of "A Streetcar Named Desire", New York Times critic Clive Barnes wrote: ""Miss Nettleton plays Blanche as a woman of nearly unshatterable courage." Williams himself called her one of the greatest actresses with whom he had ever worked. Not surprisingly then, that the self-confessed method actress went on to win the prestigious Clarence Derwent Award for her performance in "God and Kate Murphy".
Lois was married for seven years to Jean Shepherd, a radio host and television humorist. She and Shepherd clicked after she called his nightly radio show at WOR in the 1950s and the beguiled Shepherd broadcast their telephone conversations on the air. They later appeared together in Shepherd's off-Broadway play "Look Charlie" in 1959.
While her official film debut came in the 1962 adaptation of Tennessee Williams's "Period of Adjustment", Lois had previously played a bit part in Elia Kazan's classic A Face in the Crowd (1957), scripted by Budd Schulberg. She subsequently acted in many movies, but most of her best work was on stage and in television where she appeared in everything from sitcoms to soap operas. In a 1985 interview she referred to herself as 'a gypsy actress', saying "I always wanted to be as different in everything as possible". Consistently selective, on the lookout for 'interesting' characters and mature roles to play, she tackled pretty much every genre -- even playing one of Londo Mollari's bitchy wives in Babylon 5 (1993). She gave a particularly fine performances in the classic 1961 "Midnight Sun" episode of The Twilight Zone (1959). She declared her own personal favourite screen role to have been that of the Israeli prosecutor (opposite Maximilian Schell) in the American Film Theater production of The Man in the Glass Booth (1975). Roger Ebert for the New York Times wrote "She has a steadiness and intelligence and doesn't back down. She's the closest thing the film has to a moral center."
A charming and gracious actress, Lois was nominated six-times for Emmy Awards. She won twice for her TV work: for the daytime special The American Woman: Portraits of Courage (1976) and for "A Gun for Mandy" (1983), an episode of the syndicated religious anthology Insight (1960).- Actor
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Peter Paul Wyngarde was born at the home of an aunt in Marseille, Southern France, and is the son of an English father and French mother. Owing to his father's work as a member of the British Diplomatic Service, Peter spent much of his early childhood moving from one country to another, and was educated in a number of different schools.
One city which left a lasting impression on him was Shanghai, where he had been temporarily left in the care of a Swiss family whilst his father was away in India on business. The year was 1941, and amid a mass of turmoil and confusion, news broke that the Japanese had captured the city, and before long, Peter and his surrogate family found themselves in Lunghua concentration camp.
Confined in these desperately brutal conditions for four years, Peter struggled to prevent his family and friends from dying at the hands of the cruel and barbaric soldiers who governed the camp, and on one occasion while running errands between accommodation huts, he was discovered and punished by having both his feet broken with a rifle butt, and then put into solitary confinement for two weeks.
During better times however, the young Mr. Wyngarde worked in the camp laundry and gardens, and began to write and appear in plays staged by, and for, his fellow inmates, making his acting debut in his own production of Dr Jekyll and Mr Hyde. When the camp was finally liberated in 1945 Peter, who was then suffering from malnutrition, beriberi and malaria, was taken to a sanatorium in the Swiss mountains where he remained for the next two years.
After completing his education in Switzerland, France and England, Peter reluctantly honored his parents' wishes, and entered university, where he began studying law, but soon dropped the idea in favor of a career in advertising. After a brief spell with an agency in London, he walked into an audition, read the part, and was cast as the understudy for the lead in a play in Brighton.
His first role on the London stage, however, was with the Nottingham Repertory Company at the Embassy Theatre as Cassio in Othello. From there, he moved to the world famous Old Vic in Bristol, where he not only took the lead role in such classics as Cyrano de Bergerac and Taming of the Shrew, but also tried his hand at directing, most notably with Long Day's Journey Into Night.
In 1956, Peter was invited over to the United States to take a screen test for the part of Pausanius in Robert Rosen's epic feature film, Alexander the Great opposite Richard Burton and Fredric March, but after almost a year's work on location in Spain, he watched in horror as his role was cut almost out of existence.
Disillusioned with Hollywood, Peter returned to his first love - the British stage, where he took the role of Yang Sun, a Chinese fighter pilot, in Bertold Brecht's, The Good Woman of Setzuan, at the Royal Court Theatre in London's West End. It was here that he first made the acquaintance of the Oliviers - Laurence and his wife, Vivien Leigh, the latter of whom he later played opposite in the critically acclaimed Duel of Angels.
Following the plays hugely successful run at the Apollo Theatre in London in 1958 Ms Leigh, who had since become a close friend of Peter's, begged her leading man to join her in the New York production of the play. Although reluctant at first, Peter was at last persuaded to reprise his role as Count Marcellus, and he made his Broadway debut at the Helen Hayes Theatre in 1959, taking the coveted award for Best Actor in a Foreign Play.
On his triumphant return to Britain in 1960, he was almost immediately cast as the enigmatic Peter the Painter in Monty Barman's production of The Siege of Sidney Street - a film which was based on the true story of the British Governments legendary battle with a notorious gang of Slavonic anarchist, whose reputation throughout Europe for robbery and murder lead to one of the bloodiest confrontations in British criminal history.
Between numerous starring roles in television productions such as Independent Televisions popular Armchair Theatre and Play of the Week, Peter made two more big screen appearances - both Albert Fennell productions.
The first, in 1961, was The Innocents - a feature-length adaptation of the Henry James novella The Turn of the Screw, which was followed in 1962 by the classic supernatural thriller, Night of the Eagle (aka Burn, Witch, Burn) which was once again based on a novel - this time Fritz Leiber's Conjure Wife.
Between July of 1960 and March of 1969, Peter appeared in no less than thirty television plays, and guest starred in such classic series as The Avengers, I Love Lucy, The Baron, The Saint, The Champions and The Prisoner. In 1969, Peter was cast in what was undoubtedly his most famous role as the legendary author-cum-investigator, Jason King, in the ITC action series, Department S, and soon became the idol of thousands of women the world over. So overwhelming was his effect on television viewers that in 1971, a brand new series - Jason King - was devised, which allowed the handsome novelist to go adventuring without restriction.
Following the cancellation of the series at the end of 1972, Peter decided to return to the theatre, and after being greeted at Melbourne Airport by more than 30,000 screaming fans, he took the city by storm in the world premiere of Butley before packed houses every night. Once back in London, Peter took the lead role in Charles Dyers Mother Adam at the Hampstead Theatre, and then went on to tour Britain in the lead role of the King in Rodgers and Hammerstein's The King and I opposite Sally Ann Howes. The following year, he once again took up the mantle of actor/director with Present Laughter, stopping off along the way to host the 1974 Miss Television Contest.
In 1975, Peter headed out to Austria to work at the English Theatre in Vienna, to both act in and direct productions of The Merchant of Venice and Big Toys, before returning to the big screen in an Austrian film (Himmel, Scheich Und Wolkenbrunch) in the role of a latter-day Rudolph Valentino. The following year, he returned to the British stage in the Lawrence Parnes production of Anastasia, and then on to the big screen courtesy of Dino De Laurentiis' lavish 1980s sci-fi blockbuster, Flash Gordon, in which he was cast in the role of General Klytus. It was then back to the stage for a nine-months' tour of South Africa in Deathtrap.
In 1984, after an absence of almost 12 years, Peter returned to the small screen with a rare television appearance in the four-part Doctor Who installment, Planet of Fire, which was followed in short succession by the Hammer House of Mystery and Suspense story, And The Wall Came Tumbling Down, and a memorable guest-starring role in Granada Television's Bulman.
Having been cast as the somewhat unsavory character of Sir Robert Knights in the stylish, yet overtly violent British thriller, Tank Malling in 1989 Peter, who scarcely ever agrees to be interviewed, consented to appear on SKY TV's Jameson Show, plus a hearing on Channel 4s Right To Reply and the BBC's daytime magazine, Pebble Mill. More recently, Peter appeared in 1994 in Granada Televisions popular Sherlock Holmes series opposite Jeremy Brett, playing the newspaper gossip-columnist, Langdale Pike, in The Three Gables.
The long-overdue release of both Department S and Jason King on video in 1993 helped rekindle huge interest in the debonair Mr Wyngarde, with repeats of the series being shown on satellite and cable channels, and public pressure resulting in the re-release of his infamous 1970 album on CD.
In recent years, Peter has made numerous TV appearances, which include Astleys Way, Dee Time, 100 Greatest TV Characters, Don't Knock Yourself Out and narrated the acclaimed Timeshift documentary, The Many Faces of Sherlock Holmes in 2014.
Peter remains one of the most popular British actors of the past 50 years, with a thriving fan club and devoted worldwide following. His appearances at TV and Sci-Fi conventions have drawn thousands of attendees, eager to meet him and to shake the hand of a true acting legend.- Award-winning Greek-American actor Michael Constantine (born 22 May 1927) is best known for his portrayal of the Windex bottle-toting family patriarch "Gus Portokalos" in the sleeper hit My Big Fat Greek Wedding (2002). Before his appearance in that movie and the subsequent TV series based on it, he was primarily known for his portrayal of principal Seymour Kaufman in the series Room 222 (1969), for which he won a 1970 Emmy Award as Best Supporting Actor (in 1971, he also received a second Emmy nomination and a Golden Globe nomination as Best Supporting Actor for the role).
Michael Constantine was born Constantine Joanides in Reading, Pennsylvania, to Greek parents, Andromache (Fotiadou) and Theoharis Ioannides, a steel worker. He made his Broadway debut as part of the ensemble of the hit play "Inherit the Wind," which made its bow at the National Theatre on April 21, 1955, and closed on June 22, 1957, after 806 performances. During the run of the play, Constantine managed to work his way up into the part of "Conklin". His next appearance on the Great White Way was in "Compulsion," a dramatization of the Leopold & Loeb trial, in which he played three parts: speakeasy owner "Al," defense attorney "Jonathan Wilk" and "Dr. Ball." The show had a modest run of 140 performances in the 1957-58 season at the Ambassador Theatre.
On October 19, 1959, Constantine was part of the opening-night cast of the hit play "The Miracle Worker," appearing in the role of "Anagnos." It ran for 719 performances at the Playhouse through July 1, 1961, but his next play, "The Egg", was a flop, lasting but one week (eight performances) at the Cort in January 1962. His last turn on Broadway was in Tony Richardson's staging of Bertolt Brecht's mediation on the rise of Adolf Hitler, "Arturo Ui" (a.k.a. "The Resistible Rise of Arturo Ui"). Constantine played the character "Dogsborough" in support of the great Broadway star Christopher Plummer's "Arturo Ui." It, too, was a one-week flop, lasting but eight performances at the Lunt-Fontanne Theatre in November 1963. Constantine's Broadway career was at an end.
He made his motion picture debut in The Last Mile (1959) in support of Mickey Rooney, but had already begun appearing in the medium in which he made his reputation, television, the year before. He appeared in teleplays on the omnibus television anthologies Armstrong Circle Theatre (1950) and Play of the Week (1959) and made numerous guest appearances on TV series, where his ethnic look made him valuable as heavies on such programs as The Untouchables (1959). In film, he appeared in such productions as Robert Rossen's classic The Hustler (1961), If It's Tuesday, This Must Be Belgium (1969) and the film version of Woody Allen's play, Don't Drink the Water (1969), the latter two films revealing his flair for comedy.
Constantine was a regular on the series Hey, Landlord (1966). His stint on Room 222 (1969) was followed by his star-turn in the short-lived series Sirota's Court (1976), for which he received his second Golden Globe nomination, this time as Best Leading Actor in a Musical or Comedy TV Series, in 1976. After that, he remained steadily employed but his career remained rather quiet until cast he was cast in My Big Fat Greek Wedding (2002).
Michael Constantine died in August 2021. He was 94. - Although character actor William (or Bill) Smithers is not recognizable perhaps by name, the face is definitely familiar especially to baby boomer TV fans. A smart, articulate, well-groomed actor with noticeably premature gray hair, Smithers is probably best remembered for his on-again, off-again role as arch-villain Jeremy Wendell who frequently crossed paths with J.R. Ewing on Dallas (1978) from 1981-1985. Avid Trekkies will also remember his role as Capt. Merrick in the original Star Trek (1966) series.
Born in Richmond, Virginia, on July 10, 1927, Smithers received his initial break on stage, making his Broadway debut and winning a Theatre World Award for his performance as Tybalt in "Romeo and Juliet" in 1951. Olivia de Havilland, who played Juliet, also made her Broadway bow in that production. The following year Smithers joined the Actors Studio and became a major exponent of Lee Strasberg's "Method" style of acting. He continued to win acclaim on the stage, earning an Obie award in 1957 for Best Actor for his portrayal of Treplev in the off-Broadway production of "The Sea Gull".
Smithers made a successful feature film debut in 1956 as a harried infantry officer in Robert Aldrich's acclaimed war drama Attack (1956), but would make only a handful of large-screen appearances after that, including Trouble Man (1972), Papillon (1973), Scorpio (1973) and Deathsport (1978). Television, of course, was a different story. Smithers has appeared or guest-starred in nearly 400 programs in his nearly five-decade-long career. Often called to play serious-minded executives and other such authority figures, he had a real penchant for playing oily villains. You could find his unscrupulous, cold-hearted white collars on any given 1960s or 1970s crime series - Mission: Impossible (1966), The F.B.I. (1965), Mannix (1967), Mod Squad (1968), The Name of the Game (1968) and Barnaby Jones (1973), to name a few.
Last seen on camera in the early 1990s (a 1994 episode of "Walker, Texas Ranger"), Smithers is highly regarded as a teacher and for his acting seminars at colleges and universities. For years Smithers instructed alongside second wife, noted acting teacher S. Lorraine Hull (aka Lorrie Hull Smithers), who taught for many years at the Strasberg Institute. - Actor
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Harvey Korman was a lanky, popular TV comedy veteran with a flair for broad comic characterizations, who shone for a decade as leading man and second banana par excellence on The Carol Burnett Show (1967).
Harvey Herschel Korman was born in Chicago, Illinois, to Ellen (Blecher) and Cyril Raymond Korman, a salesman. His parents, both immigrants, were from Russian Jewish families. A persistent television presence since the early 1960s, Korman's first break was a stint as a featured performer on The Danny Kaye Show (1963), a lively musical variety series in which Korman began working in the format which he would soon master--providing sturdy support to a multi-talented star in a wide variety of comedy sketches. Boasting large, expressive features and a wonderfully mutable voice, Korman could play a wide assortment of characters. Perhaps his first classic characterization was provided for The Flintstones (1960) wherein he was the distinctively snooty voice of The Great Gazoo, a little helmeted space man from the future consigned to the Earth's past in punishment for his crimes.
Korman garnered four Emmys for his work with Carol Burnett over the years. Ironically Korman would never again find such a successful showcase for his talents though he certainly tried, appearing in several busted pilots and short-lived sitcoms. Almost exclusively a comic actor, he stretched a bit to play straight man Bud Abbott opposite Buddy Hackett's Lou Costello in the disappointing TV biopic Bud and Lou (1978). He directed and/or produced sitcom episodes and TV comedy specials. An occasional actor in films, Korman made his feature debut with a supporting role in The Last of the Secret Agents? (1966). Several film roles followed until he gained his widest exposure with a major supporting role in Mel Brooks' classic Western spoof Blazing Saddles (1974). He fared well in Brooks' High Anxiety (1977) and History of the World: Part I (1981). He acted in two 1994 features: the blockbuster live-action version of The Flintstones (1994) (providing the voice of the Dictabird) and the poorly received but lavishly produced Radioland Murders (1994).- Frequently appearing for or alongside her actor/writer husband of 50 years, noted stage, screen and TV heavy and writer Leo Gordon, actress Lynn Cartwright is probably best remembered for one of her early screen roles as the brusque, Brooklyn-accented switchboard operator in the cult horror The Wasp Woman (1959), and for her touching final screen appearance as the older, sweet-faced WWII-era baseball player Dottie Hinson (played throughout most the film by Geena Davis)) in the final scenes of the Penny Marshall-helmed comedy A League of Their Own (1992).
The willowy, auburn-haired performer with the highly distinctive cheek bones was born on February 27, 1927, in McAlester, Oklahoma, the daughter of U.S. Congressman Wilburn and his wife Carrie (née Staggs) Cartwright. Lynn's younger sister, Wilburta, born a year later, went on to become an artist. Other politically-minded Oklahomans from her family tree include Legislator Buck Cartwright and former Attorney General Jan-Eric Cartwright.
Lynn enrolled in acting lessons at the American Academy of Dramatic Arts in New York in the late 1940s. Here is where she met Gordon, an ex-con who was trying to turn his life around as an actor. The couple married in February of 1950 and began married life touring together on the Borscht Belt stages. They went on to have a daughter together, Tara Gordon.
Leo's career took off after he landed an agent and moved the family West to Los Angeles. His brutally hard looks and massive brick-wall presence easily took on evil dimensions and after a chilling breakthough perf in City of Bad Men (1953), cemented his screen infamy with the powerful role of the psychotic prisoner in director Don Siegel's Riot in Cell Block 11 (1954). Lynn (using her real first name Doralyn before condensing it to Lynn) found a couple of meager TV assignments ("Rin Tin Tin," etc.) during this early time, but began finding more roles once Leo managed to parlay his acting career into a successful writing one as well. Lynn, in fact, made her film debut in the very first film script Leo sold, Black Patch (1957), which included parts for the two of them.
Lynn also appeared in her writer/husband's script The Cry Baby Killer (1958) which was produced by Roger Corman and introduced Jack Nicholson to film audiences, and can be spotted as one of Zsa Zsa Gabor's Venusian sirens in the campy cult opus Queen of Outer Space (1958). She ended the decade with minor TV drama work in "Target," "Alfred Hitchcock Presents," "Peter Gunn," "Bat Masterson" and "Highway Patrol".
The 1960's proved to be lean years. Other than a couple of unbilled film parts in The Apartment (1960), which won Oscar's "Best Picture" that year and the totally obscure The Girls on the Beach (1965) in which Lynn and Leo were glimpsed as waiters, acting offers were few and far between. By the end of the decade she was appearing in her husband's soft-erotica scripts, including All the Loving Couples (1969), which focused on wife swappers, and in The Erotic Adventures of Robin Hood (1969), which is self-explanatory, as the villainous Lady Sallyforth. The former was based on Leo's own written novel.
Lynn appeared without Leo in the sex-minded teaser film Gabriella, Gabriella (1970) and in The Lucifer Complex (1978) starring Robert Vaughn. She also worked (with and without Leo) from time to time in association with writer/director/producer Rod Amateau in such frisky movie vehicles as Where Does It Hurt? (1972) starring Peter Sellers and The Seniors (1978) starring Dennis Quaid and Priscilla Barnes, as well as Amateau's Nazi-themed lowbudget Son of Hitler (1979) with 'Bud Cort' in the unlikely title role, the teen-oriented Lovelines (1984), and the bizarre and controversial The Garbage Pail Kids Movie (1987).
On the small screen Lynn could occasionally be found on such 70s and 80s shows as "Adam 12," "Little House on the Prairie," "Dynasty" and "Knot's Landing," some of which were scripted by her husband. In the 1970s Leo and Lynn joined the Group Repertory Theatre company in North Hollywood, California, which was founded by actor Lonny Chapman, where Leo tested and wrote (while Lynn appeared in) several of his stage plays.
Lynn ended her career on a sentimental high note after being cast as the senior version of Geena Davis' character who revisits her baseball-playing alumni at the end of the comedy hit film A League of Their Own (1992) starring Davis and Tom Hanks. The facial resemblance between the two actresses is so extraordinary that people often assume it is Geena herself wearing old-age makeup. Part of this mistaken belief has to to do with the confusion over Lynn's voice -- which was not used in the movie but dubbed in by Geena herself.
Illness dogged Leo's last years and he died in 2000 of cardiovascular disease at age 78, after 50 years of marriage. Lynn was never able to overcome her grief and her health quickly declined following his death with the advancement of dementia. She died four years later after a fall resulted in a hip fracture. She was interred at the Hollywood Forever Cemetery. - Actor
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Robert Peter Williams Guillaume was an actor from St. Louis, Missouri who was known for playing Rafiki from The Lion King, Benson DuBois from Soap and Benson, and Nathan Detroit from Guys and Dolls. He had five children from two marriages. He passed away in October 24, 2017 due to prostate cancer complications.